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Origami crane

Origami (折り紙?, from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the art of paper folding, which is often associated with Japanese culture. In modern usage, the word "origami" is used as an inclusive term for all folding practices, regardless of their culture of origin. The goal is to transform a flat sheet square of paper into a finished sculpture through folding and sculpting techniques. Modern origami practitioners generally discourage the use of cuts, glue, or markings on the paper. Origami folders often use the Japanese word kirigami to refer to designs which use cuts, although cutting is more characteristic of Chinese papercrafts.[1]

The small number of basic origami folds can be combined in a variety of ways to make intricate designs. The best-known origami model is the Japanese paper crane. In general, these designs begin with a square sheet of paper whose sides may be of different colors, prints, or patterns. Traditional Japanese origami, which has been practiced since the Edo period (1603–1867), has often been less strict about these conventions, sometimes cutting the paper or using nonsquare shapes to start with. The principles of origami are also used in stents, packaging and other engineering applications.[2]

History[编辑]

In China, traditional funerals often include the burning of folded paper, most often representations of gold nuggets (yuanbao). The practice of burning paper representations instead of full-scale wood or clay replicas dates from the Sung Dynasty (905–1125 CE), though it's not clear how much folding was involved.[3] Traditional Chinese funeral practices were banned during the Cultural Revolution, so most of what we know about Chinese paperfolding comes from the modern-day continuation of these practices in Taiwan.

atIn Japan, the earliest unambiguous reference to a paper model is in a short poem by Ihara Saikaku in 1680 which mentions a traditional butterfly design used during Shinto weddings.[4] Folding filled some ceremonial functions in Edo period Japanese culture; noshi were attached to gifts, much like greeting cards are used today. This developed into a form of entertainment; the first two instructional books published in Japan are clearly recreational.

See also[编辑]

References[编辑]

  1. UNESCO - Intangible Heritage Section. UNESCO Culture Sector - Intangible Heritage - 2003 Convention :.
  2. Merali, Zeeya, Origami Engineer Flexes to Create Stronger, More Agile Materials, Science, June 17, 2011, 332: 1376–1377, doi:10.1126/science.332.6036.1376 .
  3. Laing, Ellen Johnston(2004).Up In Flames.Stanford University Press.ISBN 978-0-8047-3455-4 
  4. Hatori Koshiro. History of Origami. K's Origami. 访问日脚January 1, 2010.